
“And David danced before the Lord with all his might.” (2 Samuel 6:14) Dancing is not incompatible with prayer. On the contrary, gospel music perfectly illustrates how singing and dancing, even during liturgical mass, can create an atmosphere of communion and celebration. “Praise the Lord with the harp; make music to Him on the ten-stringed lyre. Sing to Him a new song; play skillfully, and shout for joy.” (Psalm 33:2–3) There is a priest who understood that in our time, the most effective way to reach crowds and especially young people is through music. When the Book of Psalms was written, the loudest instrument appears to have been the ten-stringed lyre. This priest replaced it with electronic music. His name is Padre Guilherme, known today as the DJ priest. At the last World Youth Day in Lisbon in 2023, the city from which the DJ originates, one and a half million people attended, compared to seven hundred thousand at the 2019 edition. More than double the number of participants, mostly young people, dancing to the rhythm set by Padre Guilherme’s fingers. Padre Guilherme is scheduled to perform in Lebanon on January 10. Except that some Christian compatriots believe the priest’s methods are not Catholic, that they undermine Christian values, and that they amount to blasphemy. Eighteen self-appointed guardians of the faith decided that Christianity needed to be saved from this imminent danger. They therefore filed an emergency injunction before a summary judge to ban the performance. They also threatened to block roads and resort to violence if the court ruled against them. And yet these individuals, who see themselves as protectors of Christian values and teachings, seem to have forgotten that the head of the Catholic Church, the late Pope Francis, not only approved Padre Guilherme’s approach but even blessed his DJ helmet, as a sign of gratitude to someone capable of bringing tens of thousands of young people back to Christianity. These self-styled moral enforcers evoke the darkest hours of medieval Christianity, when anyone who refused to blindly obey politico-religious dogma was destined for the stake. Today, censorship and legal action have replaced the purifying fire. The bigots who see evil in Padre Guilherme belong to the same spiritual vigilance committee that once portrayed Mansour Labaki as a persecuted holy man and the victim of a smear campaign. Making young people dance and spreading joy is, in their eyes, a crime, while exploiting the young is dismissed as mere rumor. They are the same people who cried blasphemy when a priest, during Lokman Slim’s funeral, sang the hymn traditionally reserved for Jesus after the crucifixion. The media outcry that followed painted the priest as a heretic. Obscurantism has neither god nor religion. Last year, Wajdi Mouawad’s play Wedding Day at the Cro-Magnons’ was canceled. Today, a dancing priest is to be banned. Tomorrow, perhaps David himself will be summoned to court for excessive choreographic fervor. This blind religious protectionism does nothing but harm Christianity. Jean Dion once asked: what must God think of bigots who believe they know what He thinks? If this backward minority truly claims to be the messenger of faith, then God has probably never been so poorly represented and so badly defended.







